The catalogue

Recorded across one winter in a flat above a kebab shop on Enmore Road, with the extractor fan left in as percussion. The reprise is the same take, slowed eight percent, the night it finally stopped raining.

• A1 Half-Light 6:41
• A2 Two Streets Over 5:08
• B1 Extractor 7:55
• B2 Half-Light (Reprise) 8:18

Six tracks named after the colour of streetlights. Written entirely between midnight and 4am because that is the only time the upstairs neighbour stops practising trumpet.

• 1 Sodium 5:22
• 2 Mercury Vapour 4:47
• 3 Low Beam 6:10
• 4 Amber, Then Nothing 5:35

A duo record about driving the long way home so the song does not have to end. Cut to tape in one sitting, no edits, the headlights of passing cars bleeding into the reverb.

• A1 M5, Eastbound 8:02
• A2 Tollway 6:30
• B1 The Long Way Back 9:14
• B2 Driveway 4:55

Ten voice memos of a producer who cannot sleep, arranged in the order they were recorded, hiss and all. The last track is just rain on a window for four minutes. Keep it.

• 1 3:11am 2:40
• 2 Tea, Cold 3:18
• 3 Try Counting 4:02
• 4 Window 4:00

The record that started the house tempo. Everyone has gone home, the lights are up, and there is one more song in you anyway. Sável's debut and still the one we put on to close a night.

• A1 Last Round 7:12
• A2 Coats 5:44
• B1 Walk You Out 6:33
• B2 One More 8:09

Made by a nurse on nights, on a laptop in a break room, between obs rounds. Faster, harder, the sound of staying awake on purpose. Royalties split with a Sydney crisis line.

• 1 Obs Round 5:50
• 2 Break Room 6:22
• 3 Handover 7:01
• 4 Daylight (You Made It) 6:14